Lovecraft update...
Last night: 1 hr.
FInally figured out how to attach the arms. Spline draw (16 sided); copy the squre polys from where it will attach; connect the points of the square to the circular base by hand.
Also did a test to see if I could do my saturation / hue shift in After Effects. Yes! This is very important, since for some reason I thought back around October that I was going to have to batch process image sequences in PhotoShop -- which would have taken simply forever.
Today: 2 hrs.
Did a fairly successful test animation of an eye opening. The eyelid was made using spline draw, then the lathe tool. I wind up having something that looks like a round vase. Then I created endomorphs for the shut and open positions. Needs tweaking -- but proof of concept is there.
Also took an old one-fifth version of the Elder Thing, and posed it to see what it would look like standing up. I arranged four more in Lightwave in order to get the full creature. I got it standing up OK, but having to deal with five limbs is making me wonder if I ought to scale down to a three sided creature. That would make me sad -- I've been holding out on the five-sided issue, and only gave in simplifying the arms with great grief.
Tried to see if I could apply the neon-gothic style to the cave in Modeler, in the surface editor. No luck. I can add a layer to the texture's color (gradient, multiply, aqua) and get an approximation of the ice cave's look -- but without the effect of hyper-saturation present in the original process, it all comes out looking flat. Oh well; as long as the color can be tweaked in AfterEffects instead of PhotoShop, I'm a happy camper.
Last night: 1 hr.
FInally figured out how to attach the arms. Spline draw (16 sided); copy the squre polys from where it will attach; connect the points of the square to the circular base by hand.
Also did a test to see if I could do my saturation / hue shift in After Effects. Yes! This is very important, since for some reason I thought back around October that I was going to have to batch process image sequences in PhotoShop -- which would have taken simply forever.
Today: 2 hrs.
Did a fairly successful test animation of an eye opening. The eyelid was made using spline draw, then the lathe tool. I wind up having something that looks like a round vase. Then I created endomorphs for the shut and open positions. Needs tweaking -- but proof of concept is there.
Also took an old one-fifth version of the Elder Thing, and posed it to see what it would look like standing up. I arranged four more in Lightwave in order to get the full creature. I got it standing up OK, but having to deal with five limbs is making me wonder if I ought to scale down to a three sided creature. That would make me sad -- I've been holding out on the five-sided issue, and only gave in simplifying the arms with great grief.
Tried to see if I could apply the neon-gothic style to the cave in Modeler, in the surface editor. No luck. I can add a layer to the texture's color (gradient, multiply, aqua) and get an approximation of the ice cave's look -- but without the effect of hyper-saturation present in the original process, it all comes out looking flat. Oh well; as long as the color can be tweaked in AfterEffects instead of PhotoShop, I'm a happy camper.
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